In the group sculpture “Thousands of Waters and Thousands of Mountains”, Ye Yushan summed up the arduous journey of twenty-five thousand miles of “Thousands of Waters and Thousands of Mountains” by intercepting a typical detail of the long march of the Red Army. The group of sculptures shows the scene of the Red Army soldiers supporting each other in the long march against the wind and snow. The visit and brave advance of the front two fighters, and the backward call of the rear fighters, enlighten us about the existence of the Long March team and the long journey of “thousands of waters and thousand of mountains”. The resolute and confident expressions of the soldiers showed the confidence of the soldiers of the Long March in the victory of the revolution. The scene of two female Red Army soldiers supporting each other against the wind and snow, showing both the hardships and dangers of the Long March, and the mutual care, this kind of tragic warmth shows the warmth of humanity in the revolutionary war. The work adopts the method of casting copper, and the shape is similar between the similar and the dissimilar.
The army’s breakthrough in the Xiangjiang River was the first battle of the 25,000-mile Long March, and it was also a tragic and tragic event in which tens of thousands of martyrs were sacrificed. Ye Yushan used a large-scale stone sculpture head to make it directly born from the earth, in order to create a sense of intimacy between the audience and the statue without distance, and to produce a huge contrast between the statue’s large size and the actual individual proportion of the audience, so as to produce the sublime of visiting the scene in person feeling and tragic atmosphere. The statues made of huge rough granite blocks, and the 34-meter-high main monument built on the mountain on the huge stone statues, echoes the group statues up and down, and strengthens this noble and tragic atmosphere. The stone carvings form a huge cliff-like wall with various carving styles. It is supplemented by a hollowed-out opening and two sections of broken walls that are “connected by traces and meanings”, forming a unique sculpture form unprecedented in the history of Chinese and foreign sculptures.
“遵义红军烈士纪念碑”由四个红军烈士巨首直接组成纪念碑主体，纪念碑高30米，形成震撼力。 看完纪念碑，当代雕塑大师刘开渠表示：“时空系列与主题完美融合，四颗巨石般的红军头颅在观众视线中意外突兀，圆形楣增强 叙事。而特殊性起到唤醒主题的作用，星光照耀在它上面打破了沉寂，纪念碑的主体立于空心，犹如一把利剑。” 这是一件造型朴素，寓意深刻的作品。
“Zunyi Red Army Martyrs Monument” directly forms the main body of the monument with four giant heads of the Red Army martyrs, and the monument is 30 meters high, forming a shocking force. After reading the monument, contemporary sculpture master Liu Kaiqu said: “The time and space series is perfectly blended with the theme. The four boulder-like heads of the Red Army are unexpectedly abrupt in the audience’s line of sight, and the circular frieze enhances the narrative. And the specificity plays the role of awakening the theme, the stars shining on it break the silence, and the main body of the monument standing in the hollow is like a sword.” This is a work with simple shape and profound meaning.
Songpan’s “Red Army Long March Monument”, the monument is 50 meters high and the figure is 10 meters high. In the narrative relief of “Participating in the Soldiers of Children”, there are mothers saying goodbye to their sons, wives saying goodbye to their husbands, and children in their mother’s arms saying goodbye to their young fathers. Behind the family scene of crying farewell, there is a harsh reality, and the determination of the people to turn over and seek liberation. In the group of round statues in “Hardship”, the tear-jerking and grief-stricken look of the mother of the Red Army who bid farewell to the infant just moments before she left immediately, lays down the foreshadowing of emotion. Isn’t the “original intention” of the Red Army soldiers abandoning their wives and children the meaning of the Long March? The harmony of the sublime coexisting with the heaven and the earth and the delicate emotions deeply rooted in the hearts of the people returns the “original intention” of the revolution to human nature, which is the praise of the people in Ye Yushan’s heroic epic.
这是为长征中牺牲的红军女卫生员竖立的纪念雕像。 生前，这位红军军医在救治当地群众方面留下了许多感人的故事。 叶玉山在制作这个红军女兵雕像的时候，选择了给孩子喂药的细节。 这种为人民着想、为人民服务的精神不正是红军革命的核心吗？ 正是这种军民精神，这种女卫生员关爱民生的力量，让叶玉山革命历史雕像戏剧性地成为了人们自发崇拜的菩萨像！ 而通过它，不就是人性的力量吗？ 《女红军卫生员》成为叶玉山革命史诗赞颂的众多作品中的经典之作。
This is a memorial statue erected for a female Red Army hygienist who died during the Long March. Before his death, the Red Army medic had left many touching stories in the treatment of local people. When Ye Yushan made the statue of this female Red Army soldier, he chose the details of feeding medicine to the child. Isn’t this spirit of thinking about the people and serving the people at the core of the Red Army’s revolution? It is this kind of military-civilian spirit, this kind of female hygienist’s power of caring for the people’s humanity, that the statue of Ye Yushan’s revolutionary history has dramatically become a bodhisattva-like icon that the people spontaneously admire and worship! And through it, isn’t it the power of human nature? “Female Red Army Hygienist” has become a classic among many works praised by Ye Yushan’s revolutionary epic.
在这组雕塑中，作者截取了飞越泸定桥的壮烈场面的一部分。 无数红军士兵或匍匐前进，或持枪冲锋，或投掷手榴弹或吹响冲锋号角，尽显飞越泸定桥的快感。 片刻。 在这组雕塑中，进攻队的士兵身体前倾，形成了强烈的活力感，给人一种势不可挡的气势，整体气势上升，向前冲。 整座雕塑由汹涌的海浪穿插支撑，既说明了飞越泸定桥的危险环境，也使整座雕塑得到了充分的支撑。 这个想法很巧妙。
In this group of sculptures, the author intercepted a part of the heroic scene of flying over the Luding Bridge. Numerous Red Army soldiers were either crawling forward, or charged with guns, or threw grenades or sounded the horn of the charge, showing the thrill of flying over the Luding Bridge. of a moment. In this group of sculptures, the soldiers of the attacking team formed a strong sense of dynamism by leaning forward, and gave an unstoppable momentum with the overall momentum of rising and rushing forward. The whole sculpture is interspersed and supported by surging waves, which not only explains the dangerous environment of flying across the Luding Bridge, but also enables the whole sculpture to be fully supported. The idea is ingenious.
在叶玉山的数百部大型史诗作品中，这部作品堪称小品。 但这是一个构思巧妙的不朽创作。 作者当然创造了两个“飞夺泸定桥”的红军战士。 他们勇往直前的英勇形象，成为长征中无数红军战士的形象符号。 至于泸定桥，作者巧妙地剪出一根铁索，形成了别具一格的纪念碑造型。 碑身由一串易横竖、圆成方、分立的铁索链组成。 两尊红军青铜兵与身后的花岗石碑形成动与静、横与竖、青铜与花岗岩材质的有趣对比，共同构成精美别致的纪念碑造型。
Among Ye Yushan’s hundreds of large-scale epic works, this work can be called a sketch. But this is a cleverly conceived monumental creation. The author certainly created two Red Army soldiers who “flyed to seize Luding Bridge”. Their heroic images of daring and rushing forward became the image symbols of countless Red Army soldiers on the Long March. As for the Luding Bridge, the author skillfully cut out a piece of iron cable to make a unique monument shape. The stele body of the stele is composed of a chain of iron cables that is easy to be horizontal and vertical, rounded to square, and divided into a whole. The two bronze soldiers of the Red Army and the granite stele behind them form an interesting contrast of movement and stillness, horizontal and vertical, bronze and granite materials, and together they form a delicate and unique monument shape.
这组花岗岩石雕塑采用无细节的大型结构来塑造烈士形象，石材保留了原石的粗犷，突显了人物的坚毅和力量。 作者关注并通常将每个单独的头部与松林和地球一起排列。 当这个花岗岩般的形象直接从松林中的草丛中生长出来，连同石雕旁的草丛，石雕附近的松林，再加上花岗岩上的青苔，以及松树背后的天空和白云 森林，可以说是天地石刻融为一体。 不仅有雕塑现场感的有机和谐，还有烈士精神与大地、山川、日月的倒影等永恒不朽的寓意。
This group of granite stone sculptures uses a large structure without details to shape the image of the martyr, and the stone retains the roughness of the original stone to highlight the rock-like fortitude and strength of the figure. The author focuses and typically arranges each individual head with the pine forest and the earth. When this granite-like image grows directly from the grass in the pine forest, together with the grass beside the stone carving, the pine forest near the stone carving, plus the green moss on the granite, and the sky and white clouds behind the pine forest, it can be said that the stone carvings of heaven and earth are integrated. There is not only the organic harmony in the sense of sculpture scene, but also the eternal and immortal implication of the spirit of the martyr being with the earth, mountains and rivers, and the reflection of the sun and the moon.
河北普罗创意雕塑有限公司业务范围包括：雕塑设计、文创设计、景观设计，石材雕塑、青铜雕塑、不锈钢雕塑等。 The business scope of Hebei Pro creative sculpture Co., Ltd. includes: sculpture design, cultural and creative design, landscape design, stone sculpture, bronze sculpture, stainless steel sculpture, etc.